Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber and David Chesworth, from the project Universal Power House, 2017. Research image. Photo courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Geography Becomes Territory Becomes, 2018.
Multi-channel HD video installation (video still). Courtesy the artists. This project has been supported by an Australia Council funded residency at Helsinki International Artist Program; and a NAVA Visual Arts Fellowship supported by Copyright Agency’s Cultural Fund.
Sonia Leber & David Chesworth, Geography Becomes Territory Becomes, 2018.
Multi-channel HD video installation (video still). Courtesy the artists. This project has been supported by an Australia Council funded residency at Helsinki International Artist Program; and a NAVA Visual Arts Fellowship supported by Copyright Agency’s Cultural Fund.
Sonia Leber and David Chesworth, Zaum Tractor, Eternal Pools, 2013. Archival inkjet print, 66 x 100cm. From the Zaum Tractor video project. Courtesy the artists. This project has been supported by Australia Council for the Arts, Creative Victoria, Gridchinhall Art Centre (Moscow), Art-Amnesty Project by Olga Kalashnikova (Rostov-on-Don, Russia), and 16thLINE Gallery (Rostov-on-Don, Russia).
Sonia Leber & David Chesworth, Myriad Falls, 2017. Single channel HD video, stereo audio, 7 minutes (video still). Courtesy the artists. This artwork has been supported by Australia Council for the Arts and Rory Macdonald, horologist.
Sonia Leber & David Chesworth, Myriad Falls, 2017. Single channel HD video, stereo audio, 7 minutes (video still). Courtesy the artists. This artwork has been supported by Australia Council for the Arts and Rory Macdonald, horologist.
Sonia Leber & David Chesworth, Earthwork, 2016. Single channel HD video, 5 minutes (video still). Courtesy the artists.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber and David Chesworth, from the project Universal Power House, 2017. Research image. Photo courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Geography Becomes Territory Becomes, 2018.
Multi-channel HD video installation (video still). Courtesy the artists. This project has been supported by an Australia Council funded residency at Helsinki International Artist Program; and a NAVA Visual Arts Fellowship supported by Copyright Agency’s Cultural Fund.
Sonia Leber & David Chesworth, Geography Becomes Territory Becomes, 2018.
Multi-channel HD video installation (video still). Courtesy the artists. This project has been supported by an Australia Council funded residency at Helsinki International Artist Program; and a NAVA Visual Arts Fellowship supported by Copyright Agency’s Cultural Fund.
Sonia Leber and David Chesworth, Zaum Tractor, Eternal Pools, 2013. Archival inkjet print, 66 x 100cm. From the Zaum Tractor video project. Courtesy the artists. This project has been supported by Australia Council for the Arts, Creative Victoria, Gridchinhall Art Centre (Moscow), Art-Amnesty Project by Olga Kalashnikova (Rostov-on-Don, Russia), and 16thLINE Gallery (Rostov-on-Don, Russia).
Sonia Leber & David Chesworth, Myriad Falls, 2017. Single channel HD video, stereo audio, 7 minutes (video still). Courtesy the artists. This artwork has been supported by Australia Council for the Arts and Rory Macdonald, horologist.
Sonia Leber & David Chesworth, Myriad Falls, 2017. Single channel HD video, stereo audio, 7 minutes (video still). Courtesy the artists. This artwork has been supported by Australia Council for the Arts and Rory Macdonald, horologist.
Sonia Leber & David Chesworth, Earthwork, 2016. Single channel HD video, 5 minutes (video still). Courtesy the artists.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber and David Chesworth, from the project Universal Power House, 2017. Research image. Photo courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Geography Becomes Territory Becomes, 2018.
Multi-channel HD video installation (video still). Courtesy the artists. This project has been supported by an Australia Council funded residency at Helsinki International Artist Program; and a NAVA Visual Arts Fellowship supported by Copyright Agency’s Cultural Fund.
Sonia Leber & David Chesworth, Geography Becomes Territory Becomes, 2018.
Multi-channel HD video installation (video still). Courtesy the artists. This project has been supported by an Australia Council funded residency at Helsinki International Artist Program; and a NAVA Visual Arts Fellowship supported by Copyright Agency’s Cultural Fund.
Sonia Leber and David Chesworth, Zaum Tractor, Eternal Pools, 2013. Archival inkjet print, 66 x 100cm. From the Zaum Tractor video project. Courtesy the artists. This project has been supported by Australia Council for the Arts, Creative Victoria, Gridchinhall Art Centre (Moscow), Art-Amnesty Project by Olga Kalashnikova (Rostov-on-Don, Russia), and 16thLINE Gallery (Rostov-on-Don, Russia).
Sonia Leber & David Chesworth, Myriad Falls, 2017. Single channel HD video, stereo audio, 7 minutes (video still). Courtesy the artists. This artwork has been supported by Australia Council for the Arts and Rory Macdonald, horologist.
Sonia Leber & David Chesworth, Myriad Falls, 2017. Single channel HD video, stereo audio, 7 minutes (video still). Courtesy the artists. This artwork has been supported by Australia Council for the Arts and Rory Macdonald, horologist.
Sonia Leber & David Chesworth, Earthwork, 2016. Single channel HD video, 5 minutes (video still). Courtesy the artists.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber and David Chesworth, from the project Universal Power House, 2017. Research image. Photo courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Universal Power House: In the Near Future, 2017, single channel HD video, 12:30min. Video still. Courtesy the artists. Commissioned by Campbelltown Arts Centre, Sydney.
Sonia Leber & David Chesworth, Geography Becomes Territory Becomes, 2018.
Multi-channel HD video installation (video still). Courtesy the artists. This project has been supported by an Australia Council funded residency at Helsinki International Artist Program; and a NAVA Visual Arts Fellowship supported by Copyright Agency’s Cultural Fund.
Sonia Leber & David Chesworth, Geography Becomes Territory Becomes, 2018.
Multi-channel HD video installation (video still). Courtesy the artists. This project has been supported by an Australia Council funded residency at Helsinki International Artist Program; and a NAVA Visual Arts Fellowship supported by Copyright Agency’s Cultural Fund.
Sonia Leber and David Chesworth, Zaum Tractor, Eternal Pools, 2013. Archival inkjet print, 66 x 100cm. From the Zaum Tractor video project. Courtesy the artists. This project has been supported by Australia Council for the Arts, Creative Victoria, Gridchinhall Art Centre (Moscow), Art-Amnesty Project by Olga Kalashnikova (Rostov-on-Don, Russia), and 16thLINE Gallery (Rostov-on-Don, Russia).
Sonia Leber & David Chesworth, Myriad Falls, 2017. Single channel HD video, stereo audio, 7 minutes (video still). Courtesy the artists. This artwork has been supported by Australia Council for the Arts and Rory Macdonald, horologist.
Sonia Leber & David Chesworth, Myriad Falls, 2017. Single channel HD video, stereo audio, 7 minutes (video still). Courtesy the artists. This artwork has been supported by Australia Council for the Arts and Rory Macdonald, horologist.
Sonia Leber & David Chesworth, Earthwork, 2016. Single channel HD video, 5 minutes (video still). Courtesy the artists.
John Stezaker, Pair XXVII, 2015. Courtesy The Approach, London.
John Stezaker, Clearing, 2017. Courtesy The Approach, London.
John Stezaker, Circle XI, 2015. Courtesy The Approach, London.
John Stezaker, Marriage CXIII, 2012. Courtesy The Approach, London.
John Stezaker, Comic Mask I, 2011. Courtesy The Approach, London.
John Stezaker, Double Shadow LII, 2015. Courtesy The Approach, London.
John Stezaker, Camera (Assisted readymade), 2015. Courtesy The Approach, London.
John Stezaker, Tabula Rasa LII, 2012. Courtesy The Approach, London.
John Stezaker, Underworld (Control) (Assisted Readymade), 1979. Courtesy The Approach, London.
John Stezaker, Touch (Film Still Collage), 2014. Courtesy The Approach, London.
John Stezaker, Pair XXVII, 2015. Courtesy The Approach, London.
John Stezaker, Clearing, 2017. Courtesy The Approach, London.
John Stezaker, Circle XI, 2015. Courtesy The Approach, London.
John Stezaker, Marriage CXIII, 2012. Courtesy The Approach, London.
John Stezaker, Comic Mask I, 2011. Courtesy The Approach, London.
John Stezaker, Double Shadow LII, 2015. Courtesy The Approach, London.
John Stezaker, Camera (Assisted readymade), 2015. Courtesy The Approach, London.
John Stezaker, Tabula Rasa LII, 2012. Courtesy The Approach, London.
John Stezaker, Underworld (Control) (Assisted Readymade), 1979. Courtesy The Approach, London.
John Stezaker, Touch (Film Still Collage), 2014. Courtesy The Approach, London.
John Stezaker, Pair XXVII, 2015. Courtesy The Approach, London.
John Stezaker, Clearing, 2017. Courtesy The Approach, London.
John Stezaker, Circle XI, 2015. Courtesy The Approach, London.
John Stezaker, Marriage CXIII, 2012. Courtesy The Approach, London.
John Stezaker, Comic Mask I, 2011. Courtesy The Approach, London.
John Stezaker, Double Shadow LII, 2015. Courtesy The Approach, London.
John Stezaker, Camera (Assisted readymade), 2015. Courtesy The Approach, London.
John Stezaker, Tabula Rasa LII, 2012. Courtesy The Approach, London.
John Stezaker, Underworld (Control) (Assisted Readymade), 1979. Courtesy The Approach, London.
John Stezaker, Touch (Film Still Collage), 2014. Courtesy The Approach, London.
John Stezaker, Pair XXVII, 2015. Courtesy The Approach, London.
John Stezaker, Clearing, 2017. Courtesy The Approach, London.
John Stezaker, Circle XI, 2015. Courtesy The Approach, London.
John Stezaker, Marriage CXIII, 2012. Courtesy The Approach, London.
John Stezaker, Comic Mask I, 2011. Courtesy The Approach, London.
John Stezaker, Double Shadow LII, 2015. Courtesy The Approach, London.
John Stezaker, Camera (Assisted readymade), 2015. Courtesy The Approach, London.
John Stezaker, Tabula Rasa LII, 2012. Courtesy The Approach, London.
John Stezaker, Underworld (Control) (Assisted Readymade), 1979. Courtesy The Approach, London.
John Stezaker, Touch (Film Still Collage), 2014. Courtesy The Approach, London.