Shea Kirk, Christiane D'Arc (left and right view), 2018. Courtesy the artist.
Shea Kirk, Jacob Coppedge (left and right view), 2019. Courtesy the artist.
Shea Kirk, Dale Robertson (left and right view), 2019. Courtesy the artist.
Shea Kirk, Mohini Hillyer (left and right view), 2017. Courtesy the artist.
Shea Kirk, Christiane D'Arc (left and right view), 2018. Courtesy the artist.
Shea Kirk, Jacob Coppedge (left and right view), 2019. Courtesy the artist.
Shea Kirk, Dale Robertson (left and right view), 2019. Courtesy the artist.
Shea Kirk, Mohini Hillyer (left and right view), 2017. Courtesy the artist.
Shea Kirk, Christiane D'Arc (left and right view), 2018. Courtesy the artist.
Shea Kirk, Jacob Coppedge (left and right view), 2019. Courtesy the artist.
Shea Kirk, Dale Robertson (left and right view), 2019. Courtesy the artist.
Shea Kirk, Mohini Hillyer (left and right view), 2017. Courtesy the artist.
Shea Kirk, Christiane D'Arc (left and right view), 2018. Courtesy the artist.
Shea Kirk, Jacob Coppedge (left and right view), 2019. Courtesy the artist.
Shea Kirk, Dale Robertson (left and right view), 2019. Courtesy the artist.
Shea Kirk, Mohini Hillyer (left and right view), 2017. Courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.
Lyndal Irons, Mermaid Beach (From the series Physie), 2015. Courtesy the artist.
Michelle Tran, Madison & Shauna, 2019. Courtesy the artist and Hart & Co., Melbourne.
Alan Constable, Not titled, 2018. Earthenware and glaze, 9 x 19 x 8 cm. Alan Constable is represented by Arts Project Australia, Melbourne; Darren Knight, Sydney; Dutton, New York. Image copyright the artist, courtesy Arts Projects Australia. Photo: Andrew Barcham
Glenn Sloggett, Dead Cat, 2019. C-type print, 101 x 101 cm. Courtesy the artist.
David Wadelton, Pascoe Vale South, 2018. Courtesy the artist.
Lyndal Irons, Mermaid Beach (From the series Physie), 2015. Courtesy the artist.
Michelle Tran, Madison & Shauna, 2019. Courtesy the artist and Hart & Co., Melbourne.
Alan Constable, Not titled, 2018. Earthenware and glaze, 9 x 19 x 8 cm. Alan Constable is represented by Arts Project Australia, Melbourne; Darren Knight, Sydney; Dutton, New York. Image copyright the artist, courtesy Arts Projects Australia. Photo: Andrew Barcham
Glenn Sloggett, Dead Cat, 2019. C-type print, 101 x 101 cm. Courtesy the artist.
David Wadelton, Pascoe Vale South, 2018. Courtesy the artist.
Lyndal Irons, Mermaid Beach (From the series Physie), 2015. Courtesy the artist.
Michelle Tran, Madison & Shauna, 2019. Courtesy the artist and Hart & Co., Melbourne.
Alan Constable, Not titled, 2018. Earthenware and glaze, 9 x 19 x 8 cm. Alan Constable is represented by Arts Project Australia, Melbourne; Darren Knight, Sydney; Dutton, New York. Image copyright the artist, courtesy Arts Projects Australia. Photo: Andrew Barcham
Glenn Sloggett, Dead Cat, 2019. C-type print, 101 x 101 cm. Courtesy the artist.
David Wadelton, Pascoe Vale South, 2018. Courtesy the artist.
Lyndal Irons, Mermaid Beach (From the series Physie), 2015. Courtesy the artist.
Michelle Tran, Madison & Shauna, 2019. Courtesy the artist and Hart & Co., Melbourne.
Alan Constable, Not titled, 2018. Earthenware and glaze, 9 x 19 x 8 cm. Alan Constable is represented by Arts Project Australia, Melbourne; Darren Knight, Sydney; Dutton, New York. Image copyright the artist, courtesy Arts Projects Australia. Photo: Andrew Barcham
Glenn Sloggett, Dead Cat, 2019. C-type print, 101 x 101 cm. Courtesy the artist.
David Wadelton, Pascoe Vale South, 2018. Courtesy the artist.
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.
Glenn Sloggett, process image, author unknown.
Glenn Sloggett, 'Porn Booth', 1995. C-type print, 80 x 80 cm.
Glenn Sloggett, process image, author unknown.
Glenn Sloggett, 'Porn Booth', 1995. C-type print, 80 x 80 cm.
Glenn Sloggett, process image, author unknown.
Glenn Sloggett, 'Porn Booth', 1995. C-type print, 80 x 80 cm.
Glenn Sloggett, process image, author unknown.
Glenn Sloggett, 'Porn Booth', 1995. C-type print, 80 x 80 cm.
Les Walkling, With and without
Les Walkling, The fragility of goodness
Les Walkling, Note to a friend
Les Walkling, With and without
Les Walkling, The fragility of goodness
Les Walkling, Note to a friend
Les Walkling, With and without
Les Walkling, The fragility of goodness
Les Walkling, Note to a friend
Les Walkling, With and without
Les Walkling, The fragility of goodness
Les Walkling, Note to a friend
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Children's workshop 2019, image by Helen Sakkas
Helmut Newton
Francesca Woodman, self-portrait
Stanley Kubrick, self-portrait
Greogory Crewdson
Sue Ford, self-portrait
Gordon Parks, self-portrait
Corrine Day
Alice Springs, self-portrait
Henri Cartier-Bresson
Miroslav Tichy
Vivian Maier, self-portrait
William Henry Fox Talbot
Helmut Newton
Francesca Woodman, self-portrait
Stanley Kubrick, self-portrait
Greogory Crewdson
Sue Ford, self-portrait
Gordon Parks, self-portrait
Corrine Day
Alice Springs, self-portrait
Henri Cartier-Bresson
Miroslav Tichy
Vivian Maier, self-portrait
William Henry Fox Talbot
Helmut Newton
Francesca Woodman, self-portrait
Stanley Kubrick, self-portrait
Greogory Crewdson
Sue Ford, self-portrait
Gordon Parks, self-portrait
Corrine Day
Alice Springs, self-portrait
Henri Cartier-Bresson
Miroslav Tichy
Vivian Maier, self-portrait
William Henry Fox Talbot
Helmut Newton
Francesca Woodman, self-portrait
Stanley Kubrick, self-portrait
Greogory Crewdson
Sue Ford, self-portrait
Gordon Parks, self-portrait
Corrine Day
Alice Springs, self-portrait
Henri Cartier-Bresson
Miroslav Tichy
Vivian Maier, self-portrait
William Henry Fox Talbot