Kate Ballis, Fortune, 2018. 1000mm x 1500mm print on cotton rag, framed using non-reflective glass in a lilac frame
Anita Beaney, Foggy Sea
George Apostolidis, Bourjois Make Up 02
Isamu Sawa, Peony. Archival Pigment Ink Photographic Print on Canson Rag Photographique 310gsm 100% Cotton, 114 x 144 cm framed
James Geer, Berg 6. Giclee Photographic Print on Cotton Rag Archival Paper, 100 x 135 cm
Jo Duck, Romantic Boys
Saskia Wilson, Stage 2 transit camp for new arrivals in the north of Lesvos island, Greece
Tom Blachford, Big Sight II. Inkjet Print on Canson Platine paper, 78.5 x 118.9 cm
Tom Ross from the series Utopias 2018
Kate Ballis, Fortune, 2018. 1000mm x 1500mm print on cotton rag, framed using non-reflective glass in a lilac frame
Anita Beaney, Foggy Sea
George Apostolidis, Bourjois Make Up 02
Isamu Sawa, Peony. Archival Pigment Ink Photographic Print on Canson Rag Photographique 310gsm 100% Cotton, 114 x 144 cm framed
James Geer, Berg 6. Giclee Photographic Print on Cotton Rag Archival Paper, 100 x 135 cm
Jo Duck, Romantic Boys
Saskia Wilson, Stage 2 transit camp for new arrivals in the north of Lesvos island, Greece
Tom Blachford, Big Sight II. Inkjet Print on Canson Platine paper, 78.5 x 118.9 cm
Tom Ross from the series Utopias 2018
Kate Ballis, Fortune, 2018. 1000mm x 1500mm print on cotton rag, framed using non-reflective glass in a lilac frame
Anita Beaney, Foggy Sea
George Apostolidis, Bourjois Make Up 02
Isamu Sawa, Peony. Archival Pigment Ink Photographic Print on Canson Rag Photographique 310gsm 100% Cotton, 114 x 144 cm framed
James Geer, Berg 6. Giclee Photographic Print on Cotton Rag Archival Paper, 100 x 135 cm
Jo Duck, Romantic Boys
Saskia Wilson, Stage 2 transit camp for new arrivals in the north of Lesvos island, Greece
Tom Blachford, Big Sight II. Inkjet Print on Canson Platine paper, 78.5 x 118.9 cm
Tom Ross from the series Utopias 2018
Kate Ballis, Fortune, 2018. 1000mm x 1500mm print on cotton rag, framed using non-reflective glass in a lilac frame
Anita Beaney, Foggy Sea
George Apostolidis, Bourjois Make Up 02
Isamu Sawa, Peony. Archival Pigment Ink Photographic Print on Canson Rag Photographique 310gsm 100% Cotton, 114 x 144 cm framed
James Geer, Berg 6. Giclee Photographic Print on Cotton Rag Archival Paper, 100 x 135 cm
Jo Duck, Romantic Boys
Saskia Wilson, Stage 2 transit camp for new arrivals in the north of Lesvos island, Greece
Tom Blachford, Big Sight II. Inkjet Print on Canson Platine paper, 78.5 x 118.9 cm
Tom Ross from the series Utopias 2018
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Vine Country, 2018. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Cultural Burning, Yidinji Country, 2018. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Mulgrave River, 2014. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Vine Country, 2018. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Cultural Burning, Yidinji Country, 2018. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Mulgrave River, 2014. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Vine Country, 2018. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Cultural Burning, Yidinji Country, 2018. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Mulgrave River, 2014. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Vine Country, 2018. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Cultural Burning, Yidinji Country, 2018. Courtesy the artist.
Abigail Varney, The build up, 2019. Courtesy the artist.
Matthew Stanton, Mulgrave River, 2014. Courtesy the artist.
Rohan Hutchinson, Untitled 3 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Rohan Hutchinson, Untitled 1 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Rohan Hutchinson, Untitled 6 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Sound recording on location by Philip Samartzis. Courtesy the artist.
Rohan Hutchinson, Untitled 3 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Rohan Hutchinson, Untitled 1 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Rohan Hutchinson, Untitled 6 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Sound recording on location by Philip Samartzis. Courtesy the artist.
Rohan Hutchinson, Untitled 3 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Rohan Hutchinson, Untitled 1 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Rohan Hutchinson, Untitled 6 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Sound recording on location by Philip Samartzis. Courtesy the artist.
Rohan Hutchinson, Untitled 3 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Rohan Hutchinson, Untitled 1 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Rohan Hutchinson, Untitled 6 Part A + B , 2019. C-type prints, liquid light, exposure to Australian sun. Courtesy the artist.
Sound recording on location by Philip Samartzis. Courtesy the artist.
Lisa Garland, Arthur River Backyard, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Wall of Test Strips #1, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Self Portrait in the Bay, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Arthur River Backyard, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Wall of Test Strips #1, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Self Portrait in the Bay, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Arthur River Backyard, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Wall of Test Strips #1, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Self Portrait in the Bay, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Arthur River Backyard, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Wall of Test Strips #1, 2018. Courtesy the artist and Despard Gallery, Hobart.
Lisa Garland, Self Portrait in the Bay, 2018. Courtesy the artist and Despard Gallery, Hobart.
James Henry, Joeboy no more no less Morgan at The Fig Tree, Carlton Gardens, 2019. Courtesy the artist.
James Henry, (L-R) Lorina Lovett, Tracey Briggs, David Arnold, Aunty Irene Arnold, Aunty Nancy Peart (nee Clarke) at The Meeting Place, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Tracey Briggs at The Meeting Place, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Frank Apples 'Dooturule' Wandin at the Stolen Generations Marker, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Irene 'Lubby' Moore at the corner of Stanley and Smith Streets, Collingwood, 2019. Courtesy the artist.
James Henry, Joeboy no more no less Morgan at The Fig Tree, Carlton Gardens, 2019. Courtesy the artist.
James Henry, (L-R) Lorina Lovett, Tracey Briggs, David Arnold, Aunty Irene Arnold, Aunty Nancy Peart (nee Clarke) at The Meeting Place, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Tracey Briggs at The Meeting Place, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Frank Apples 'Dooturule' Wandin at the Stolen Generations Marker, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Irene 'Lubby' Moore at the corner of Stanley and Smith Streets, Collingwood, 2019. Courtesy the artist.
James Henry, Joeboy no more no less Morgan at The Fig Tree, Carlton Gardens, 2019. Courtesy the artist.
James Henry, (L-R) Lorina Lovett, Tracey Briggs, David Arnold, Aunty Irene Arnold, Aunty Nancy Peart (nee Clarke) at The Meeting Place, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Tracey Briggs at The Meeting Place, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Frank Apples 'Dooturule' Wandin at the Stolen Generations Marker, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Irene 'Lubby' Moore at the corner of Stanley and Smith Streets, Collingwood, 2019. Courtesy the artist.
James Henry, Joeboy no more no less Morgan at The Fig Tree, Carlton Gardens, 2019. Courtesy the artist.
James Henry, (L-R) Lorina Lovett, Tracey Briggs, David Arnold, Aunty Irene Arnold, Aunty Nancy Peart (nee Clarke) at The Meeting Place, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Tracey Briggs at The Meeting Place, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Frank Apples 'Dooturule' Wandin at the Stolen Generations Marker, Atherton Gardens, Fitzroy, 2019. Courtesy the artist.
James Henry, Irene 'Lubby' Moore at the corner of Stanley and Smith Streets, Collingwood, 2019. Courtesy the artist.