Ruth Maddison Equal pay demo, Bourke Street Melbourne, 1985, pigment print from scanned negative, 39 x 58 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Last night I had the strangest dream (#1), 2020, pigment print, hand coloured and digitally enhanced, 64 x 70 cm. Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Prison Officers, Pentridge, 1985, pigment print from scanned negative (Print by Les Walkling), 50 x 50 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Untitled #18, 1979, from the series
Christmas holidays with Bob’s family. Mermaid Beach,
Queensland 1979, pigment print from scan, edition 1/1,
10.5 x 16.2 cm. Courtesy of the artist and the Centre
for Contemporary Photography.
Ruth Maddison Ponch Hawkes, Helen and Alice Garner, 1978/2018, pigment print from scanned negative, 22.6 x 15 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Keith Haring, 1985/2014, pigment print from scanned negative, hand-coloured and digitally enhanced, 40 x 40 cm. Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Equal pay demo, Bourke Street Melbourne, 1985, pigment print from scanned negative, 39 x 58 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Last night I had the strangest dream (#1), 2020, pigment print, hand coloured and digitally enhanced, 64 x 70 cm. Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Prison Officers, Pentridge, 1985, pigment print from scanned negative (Print by Les Walkling), 50 x 50 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Untitled #18, 1979, from the series
Christmas holidays with Bob’s family. Mermaid Beach,
Queensland 1979, pigment print from scan, edition 1/1,
10.5 x 16.2 cm. Courtesy of the artist and the Centre
for Contemporary Photography.
Ruth Maddison Ponch Hawkes, Helen and Alice Garner, 1978/2018, pigment print from scanned negative, 22.6 x 15 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Keith Haring, 1985/2014, pigment print from scanned negative, hand-coloured and digitally enhanced, 40 x 40 cm. Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Equal pay demo, Bourke Street Melbourne, 1985, pigment print from scanned negative, 39 x 58 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Last night I had the strangest dream (#1), 2020, pigment print, hand coloured and digitally enhanced, 64 x 70 cm. Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Prison Officers, Pentridge, 1985, pigment print from scanned negative (Print by Les Walkling), 50 x 50 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Untitled #18, 1979, from the series
Christmas holidays with Bob’s family. Mermaid Beach,
Queensland 1979, pigment print from scan, edition 1/1,
10.5 x 16.2 cm. Courtesy of the artist and the Centre
for Contemporary Photography.
Ruth Maddison Ponch Hawkes, Helen and Alice Garner, 1978/2018, pigment print from scanned negative, 22.6 x 15 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Keith Haring, 1985/2014, pigment print from scanned negative, hand-coloured and digitally enhanced, 40 x 40 cm. Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Equal pay demo, Bourke Street Melbourne, 1985, pigment print from scanned negative, 39 x 58 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Last night I had the strangest dream (#1), 2020, pigment print, hand coloured and digitally enhanced, 64 x 70 cm. Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Prison Officers, Pentridge, 1985, pigment print from scanned negative (Print by Les Walkling), 50 x 50 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Untitled #18, 1979, from the series
Christmas holidays with Bob’s family. Mermaid Beach,
Queensland 1979, pigment print from scan, edition 1/1,
10.5 x 16.2 cm. Courtesy of the artist and the Centre
for Contemporary Photography.
Ruth Maddison Ponch Hawkes, Helen and Alice Garner, 1978/2018, pigment print from scanned negative, 22.6 x 15 cm (image size). Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison Keith Haring, 1985/2014, pigment print from scanned negative, hand-coloured and digitally enhanced, 40 x 40 cm. Courtesy of the artist and the Centre for Contemporary Photography.
Ruth Maddison: It was the best of times, it was the worst of times, installation view Centre for Contemporary Photography, 2021. Photo by J Forsyth.
Ruth Maddison: It was the best of times, it was the worst of times, installation view Centre for Contemporary Photography, 2021. Photo by J Forsyth.
Ruth Maddison: It was the best of times, it was the worst of times, installation view Centre for Contemporary Photography, 2021. Photo by J Forsyth.
Ruth Maddison: It was the best of times, it was the worst of times, installation view Centre for Contemporary Photography, 2021. Photo by J Forsyth.
Ruth Maddison: It was the best of times, it was the worst of times, installation view Centre for Contemporary Photography, 2021. Photo by J Forsyth.
Ruth Maddison: It was the best of times, it was the worst of times, installation view Centre for Contemporary Photography, 2021. Photo by J Forsyth.
Ruth Maddison: It was the best of times, it was the worst of times, installation view Centre for Contemporary Photography, 2021. Photo by J Forsyth.
(Self Portrait) First roll of film, 1976, archival pigment print, 2020, 26.3 x 40cm
(Self Portrait) First roll of film, 1976, archival pigment print, 2020, 26.3 x 40cm
(Self Portrait) First roll of film, 1976, archival pigment print, 2020, 26.3 x 40cm
(Self Portrait) First roll of film, 1976, archival pigment print, 2020, 26.3 x 40cm
(Self Portrait) First roll of film, 1976, archival pigment print, 2020, 26.3 x 40cm
(Self Portrait) First roll of film, 1976, archival pigment print, 2020, 26.3 x 40cm
(Self Portrait) First roll of film, 1976, archival pigment print, 2020, 26.3 x 40cm
Emmaline Zanelli, Futurist Hoon In Tight Spot, 2021, vacuum sealed cuttlefish ink photopolymer print on egg pasta, 16 x 21 cm (approximately), unique state 1/50. Courtesy the artist.
Emmaline Zanelli, artist portrait. Photo courtesy Thomas McCammon.
Sanja Pahoki, My Baby Shot Me Down, 2015. PVC-free wallpaper, 320 x 480 cm. Edition 2/5 + 2 AP. Courtesy the artist and Sarah Scout Presents.
Sanja Pahoki, artist portrait. Photo courtesy Giulia McGauran.
Callum McGrath, Responsibilities to Time (detail), 2021, digital photographic print on found photo album pages, 29 x 32 cm each. Courtesy the artist.
Callum McGrath, artist portrait. Photo courtesy of the artist.
Hannah Brontë, Swell, 2021, three-channel video with sound, 4.20 minutes, edition 1/3, (model: Alma Tuhoro; photographer: Stephanie Texeira; digital edit: Hannah Brontë). Courtesy the artist.
Hannah Brontë, artist portrait. Photo courtesy of the artist.
Hootan Heydari, Hamsafar, 2020, 987 photographs, plaster, steel, Perspex, 80 x 60 x 13 cm. Courtesy the artist.
Hootan Heydari, artist portrait. Photo courtesy of the artist.
Anne Moffat, Untitled (from the series Forget Me Not), 2014–2019, archival inkjet print, 48 x 60 cm. Courtesy of the artist.
Anne Moffat, artist portrait. Photo courtesy Michael Thomas.
Sara Oscar, A trophy, 2021, pigment print, 118.9 x 89 cm, ed. 1/3 + 1 AP. Courtesy of the artist.
Sara Oscar, artist portrait. Photo courtesy of the artist.
Jessica Schwientek, untitled mirror, from the series Sadness is Sexy, 2014, silver gelatine photograph on cotton rag, 23.5cm x 32.5cm. Courtesy of the artist.
Jessica Schwientek, artist portrait. Photo courtesy of the artist.
Emmaline Zanelli, Futurist Hoon In Tight Spot, 2021, vacuum sealed cuttlefish ink photopolymer print on egg pasta, 16 x 21 cm (approximately), unique state 1/50. Courtesy the artist.
Emmaline Zanelli, artist portrait. Photo courtesy Thomas McCammon.
Sanja Pahoki, My Baby Shot Me Down, 2015. PVC-free wallpaper, 320 x 480 cm. Edition 2/5 + 2 AP. Courtesy the artist and Sarah Scout Presents.
Sanja Pahoki, artist portrait. Photo courtesy Giulia McGauran.
Callum McGrath, Responsibilities to Time (detail), 2021, digital photographic print on found photo album pages, 29 x 32 cm each. Courtesy the artist.
Callum McGrath, artist portrait. Photo courtesy of the artist.
Hannah Brontë, Swell, 2021, three-channel video with sound, 4.20 minutes, edition 1/3, (model: Alma Tuhoro; photographer: Stephanie Texeira; digital edit: Hannah Brontë). Courtesy the artist.
Hannah Brontë, artist portrait. Photo courtesy of the artist.
Hootan Heydari, Hamsafar, 2020, 987 photographs, plaster, steel, Perspex, 80 x 60 x 13 cm. Courtesy the artist.
Hootan Heydari, artist portrait. Photo courtesy of the artist.
Anne Moffat, Untitled (from the series Forget Me Not), 2014–2019, archival inkjet print, 48 x 60 cm. Courtesy of the artist.
Anne Moffat, artist portrait. Photo courtesy Michael Thomas.
Sara Oscar, A trophy, 2021, pigment print, 118.9 x 89 cm, ed. 1/3 + 1 AP. Courtesy of the artist.
Sara Oscar, artist portrait. Photo courtesy of the artist.
Jessica Schwientek, untitled mirror, from the series Sadness is Sexy, 2014, silver gelatine photograph on cotton rag, 23.5cm x 32.5cm. Courtesy of the artist.
Jessica Schwientek, artist portrait. Photo courtesy of the artist.
Emmaline Zanelli, Futurist Hoon In Tight Spot, 2021, vacuum sealed cuttlefish ink photopolymer print on egg pasta, 16 x 21 cm (approximately), unique state 1/50. Courtesy the artist.
Emmaline Zanelli, artist portrait. Photo courtesy Thomas McCammon.
Sanja Pahoki, My Baby Shot Me Down, 2015. PVC-free wallpaper, 320 x 480 cm. Edition 2/5 + 2 AP. Courtesy the artist and Sarah Scout Presents.
Sanja Pahoki, artist portrait. Photo courtesy Giulia McGauran.
Callum McGrath, Responsibilities to Time (detail), 2021, digital photographic print on found photo album pages, 29 x 32 cm each. Courtesy the artist.
Callum McGrath, artist portrait. Photo courtesy of the artist.
Hannah Brontë, Swell, 2021, three-channel video with sound, 4.20 minutes, edition 1/3, (model: Alma Tuhoro; photographer: Stephanie Texeira; digital edit: Hannah Brontë). Courtesy the artist.
Hannah Brontë, artist portrait. Photo courtesy of the artist.
Hootan Heydari, Hamsafar, 2020, 987 photographs, plaster, steel, Perspex, 80 x 60 x 13 cm. Courtesy the artist.
Hootan Heydari, artist portrait. Photo courtesy of the artist.
Anne Moffat, Untitled (from the series Forget Me Not), 2014–2019, archival inkjet print, 48 x 60 cm. Courtesy of the artist.
Anne Moffat, artist portrait. Photo courtesy Michael Thomas.
Sara Oscar, A trophy, 2021, pigment print, 118.9 x 89 cm, ed. 1/3 + 1 AP. Courtesy of the artist.
Sara Oscar, artist portrait. Photo courtesy of the artist.
Jessica Schwientek, untitled mirror, from the series Sadness is Sexy, 2014, silver gelatine photograph on cotton rag, 23.5cm x 32.5cm. Courtesy of the artist.
Jessica Schwientek, artist portrait. Photo courtesy of the artist.
Emmaline Zanelli, Futurist Hoon In Tight Spot, 2021, vacuum sealed cuttlefish ink photopolymer print on egg pasta, 16 x 21 cm (approximately), unique state 1/50. Courtesy the artist.
Emmaline Zanelli, artist portrait. Photo courtesy Thomas McCammon.
Sanja Pahoki, My Baby Shot Me Down, 2015. PVC-free wallpaper, 320 x 480 cm. Edition 2/5 + 2 AP. Courtesy the artist and Sarah Scout Presents.
Sanja Pahoki, artist portrait. Photo courtesy Giulia McGauran.
Callum McGrath, Responsibilities to Time (detail), 2021, digital photographic print on found photo album pages, 29 x 32 cm each. Courtesy the artist.
Callum McGrath, artist portrait. Photo courtesy of the artist.
Hannah Brontë, Swell, 2021, three-channel video with sound, 4.20 minutes, edition 1/3, (model: Alma Tuhoro; photographer: Stephanie Texeira; digital edit: Hannah Brontë). Courtesy the artist.
Hannah Brontë, artist portrait. Photo courtesy of the artist.
Hootan Heydari, Hamsafar, 2020, 987 photographs, plaster, steel, Perspex, 80 x 60 x 13 cm. Courtesy the artist.
Hootan Heydari, artist portrait. Photo courtesy of the artist.
Anne Moffat, Untitled (from the series Forget Me Not), 2014–2019, archival inkjet print, 48 x 60 cm. Courtesy of the artist.
Anne Moffat, artist portrait. Photo courtesy Michael Thomas.
Sara Oscar, A trophy, 2021, pigment print, 118.9 x 89 cm, ed. 1/3 + 1 AP. Courtesy of the artist.
Sara Oscar, artist portrait. Photo courtesy of the artist.
Jessica Schwientek, untitled mirror, from the series Sadness is Sexy, 2014, silver gelatine photograph on cotton rag, 23.5cm x 32.5cm. Courtesy of the artist.
Jessica Schwientek, artist portrait. Photo courtesy of the artist.