Shea Kirk, Christiane D'Arc (left and right view), 2018. Courtesy the artist.

Shea Kirk, Jacob Coppedge (left and right view), 2019. Courtesy the artist.

Shea Kirk, Dale Robertson (left and right view), 2019. Courtesy the artist.

Shea Kirk, Mohini Hillyer (left and right view), 2017. Courtesy the artist.

Shea Kirk, Christiane D'Arc (left and right view), 2018. Courtesy the artist.

Shea Kirk, Jacob Coppedge (left and right view), 2019. Courtesy the artist.

Shea Kirk, Dale Robertson (left and right view), 2019. Courtesy the artist.

Shea Kirk, Mohini Hillyer (left and right view), 2017. Courtesy the artist.

Shea Kirk, Christiane D'Arc (left and right view), 2018. Courtesy the artist.

Shea Kirk, Jacob Coppedge (left and right view), 2019. Courtesy the artist.

Shea Kirk, Dale Robertson (left and right view), 2019. Courtesy the artist.

Shea Kirk, Mohini Hillyer (left and right view), 2017. Courtesy the artist.

Shea Kirk, Christiane D'Arc (left and right view), 2018. Courtesy the artist.

Shea Kirk, Jacob Coppedge (left and right view), 2019. Courtesy the artist.

Shea Kirk, Dale Robertson (left and right view), 2019. Courtesy the artist.

Shea Kirk, Mohini Hillyer (left and right view), 2017. Courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Sophie Gabrielle, Worry For The Fruit The Birds Won’t Eat, 2017–19. Image courtesy the artist.

Lyndal Irons, Mermaid Beach (From the series Physie), 2015. Courtesy the artist.

Michelle Tran, Madison & Shauna, 2019. Courtesy the artist and Hart & Co., Melbourne.

Alan Constable, Not titled, 2018. Earthenware and glaze, 9 x 19 x 8 cm. Alan Constable is represented by Arts Project Australia, Melbourne; Darren Knight, Sydney; Dutton, New York. Image copyright the artist, courtesy Arts Projects Australia. Photo: Andrew Barcham

Glenn Sloggett, Dead Cat, 2019. C-type print, 101 x 101 cm. Courtesy the artist.

David Wadelton, Pascoe Vale South, 2018. Courtesy the artist.

Lyndal Irons, Mermaid Beach (From the series Physie), 2015. Courtesy the artist.

Michelle Tran, Madison & Shauna, 2019. Courtesy the artist and Hart & Co., Melbourne.

Alan Constable, Not titled, 2018. Earthenware and glaze, 9 x 19 x 8 cm. Alan Constable is represented by Arts Project Australia, Melbourne; Darren Knight, Sydney; Dutton, New York. Image copyright the artist, courtesy Arts Projects Australia. Photo: Andrew Barcham

Glenn Sloggett, Dead Cat, 2019. C-type print, 101 x 101 cm. Courtesy the artist.

David Wadelton, Pascoe Vale South, 2018. Courtesy the artist.

Lyndal Irons, Mermaid Beach (From the series Physie), 2015. Courtesy the artist.

Michelle Tran, Madison & Shauna, 2019. Courtesy the artist and Hart & Co., Melbourne.

Alan Constable, Not titled, 2018. Earthenware and glaze, 9 x 19 x 8 cm. Alan Constable is represented by Arts Project Australia, Melbourne; Darren Knight, Sydney; Dutton, New York. Image copyright the artist, courtesy Arts Projects Australia. Photo: Andrew Barcham

Glenn Sloggett, Dead Cat, 2019. C-type print, 101 x 101 cm. Courtesy the artist.

David Wadelton, Pascoe Vale South, 2018. Courtesy the artist.

Lyndal Irons, Mermaid Beach (From the series Physie), 2015. Courtesy the artist.

Michelle Tran, Madison & Shauna, 2019. Courtesy the artist and Hart & Co., Melbourne.

Alan Constable, Not titled, 2018. Earthenware and glaze, 9 x 19 x 8 cm. Alan Constable is represented by Arts Project Australia, Melbourne; Darren Knight, Sydney; Dutton, New York. Image copyright the artist, courtesy Arts Projects Australia. Photo: Andrew Barcham

Glenn Sloggett, Dead Cat, 2019. C-type print, 101 x 101 cm. Courtesy the artist.

David Wadelton, Pascoe Vale South, 2018. Courtesy the artist.

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Thea Jones, Jane's Salvation (Paterson's Curse), 2019. Hand embroidery on cotton voile, dimensions variable. Photo: Louis Lim

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Ella Sowinska, 80 Ways, 2018. Film still. Courtesy the artist.

Glenn Sloggett, process image, author unknown.

Glenn Sloggett, 'Porn Booth', 1995. C-type print, 80 x 80 cm.

Glenn Sloggett, process image, author unknown.

Glenn Sloggett, 'Porn Booth', 1995. C-type print, 80 x 80 cm.

Glenn Sloggett, process image, author unknown.

Glenn Sloggett, 'Porn Booth', 1995. C-type print, 80 x 80 cm.

Glenn Sloggett, process image, author unknown.

Glenn Sloggett, 'Porn Booth', 1995. C-type print, 80 x 80 cm.

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Children's workshop 2019, image by Helen Sakkas

Helmut Newton

Francesca Woodman, self-portrait

Stanley Kubrick, self-portrait

Greogory Crewdson

Sue Ford, self-portrait

Gordon Parks, self-portrait

Corrine Day

Alice Springs, self-portrait

Henri Cartier-Bresson

Miroslav Tichy

Vivian Maier, self-portrait

William Henry Fox Talbot

Helmut Newton

Francesca Woodman, self-portrait

Stanley Kubrick, self-portrait

Greogory Crewdson

Sue Ford, self-portrait

Gordon Parks, self-portrait

Corrine Day

Alice Springs, self-portrait

Henri Cartier-Bresson

Miroslav Tichy

Vivian Maier, self-portrait

William Henry Fox Talbot

Helmut Newton

Francesca Woodman, self-portrait

Stanley Kubrick, self-portrait

Greogory Crewdson

Sue Ford, self-portrait

Gordon Parks, self-portrait

Corrine Day

Alice Springs, self-portrait

Henri Cartier-Bresson

Miroslav Tichy

Vivian Maier, self-portrait

William Henry Fox Talbot

Helmut Newton

Francesca Woodman, self-portrait

Stanley Kubrick, self-portrait

Greogory Crewdson

Sue Ford, self-portrait

Gordon Parks, self-portrait

Corrine Day

Alice Springs, self-portrait

Henri Cartier-Bresson

Miroslav Tichy

Vivian Maier, self-portrait

William Henry Fox Talbot

Image illustrating the silver gelatin reversal process used in the workshop, by Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Shea Kirk, Tiaki, left view, 2019

Image illustrating the silver gelatin reversal process used in the workshop, by Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Shea Kirk, Tiaki, left view, 2019

Image illustrating the silver gelatin reversal process used in the workshop, by Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Shea Kirk, Tiaki, left view, 2019

Image illustrating the silver gelatin reversal process used in the workshop, by Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Process image, Shea Kirk

Shea Kirk, Tiaki, left view, 2019