Vantages is an ongoing series of stereoscopic portraits by Melbourne-based artist Shea Kirk. Working with dual large-format cameras to simultaneously capture two images from different perspectives, Kirk invites subjects to be photographed in his humble home-studio. Each portrait is exposed onto black and white sheet film through a slow and methodical process, enabling an intimate exchange that highlights the agency between photographer and subject. When viewed through a stereoscope, these dual-portraits can be seen three-dimensionally, rendering the subject hauntingly statuesque.
Often in states of undress and portrayed standing or sitting in front of simple backdrops, the subjects in Vantages stare at us with a disarming self-awareness, perhaps only possible in the selfie-obsessed, smart-phone age. Subjects present as though conscious of their own vulnerabilities—they are aware of what it means to represent themselves—and through the very nature of this dual imaging process, they resist being reduced to a single vantage point.
Vantages references a rich history of photographic portraiture, with a freshness that is distinctly contemporary. Vantages considers the significance of portraiture now, through Kirk’s powerfully contemplative, and beautifully realised dual images.
Shea Kirk is a Melbourne-based visual artist working with traditional photographic methods and techniques. Shea Kirk has been a finalist in the Olive Cotton Award (2019); National Photographic Portrait Prize (2019) and the Head On Portrait Prize (2018), and has participated in a number of group exhibitions across Victoria.
Please note that this exhibition contains nudity.
Friday, 14th June 2019, 6–8pm
Saturday, 29th June 2019, 12.30—2pm
Centre for Contemporary Photography
404 George St, Fitzroy Victoria 3065, Australia
+61 39417 1549
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Seven nights after dark