Duelle / Centre for Contemporary Photography

1:1 1989 A bewilderment A Constructed World A Four Letter Word A Guide to the Flora and Fauna of the World A Library To Scale a man held A Manual for Small Archives A Performative Paradox A Study Of The Insignificant A Taste of Ashes Fills the Air A to Z of Health and Wealth A treasured private notebook Abstract Hypocrisy Advertisement After Images After the War Alice's Conversations in Cyberspace All Prize Winners Paraded All the Three Letter Words in the English Language All you knit is love Computer shoulders An American Index Of The Hidden and Unfamiliar An Effort Of Memory An Elegy to Apertures An unorthodox flow of images Ancestors Angels of the Bottomless Pit Angry Black Snake Aotearoa My Hawaiki Apókryphos Architecture Makes Us: Cinematic Visions of Sonia Leber and David Chesworth Archive 1980-99 Arini Byng: (indistinct chatter) Art Calls Art+FILM Artintact As I Gaze Aspic Astral Imbalance At the junction of twelve locations on Suomenlinna, Helsinki, Finland, November 2011 to February 2012 Australia Authority Awareness Babel Background Sex Bad Blood BananaMilk Basilisk and a Universe of Dirt Basta! Beater Beautiful Games Behold Beyond Beyond Setting Suns Beyond Xanadu Black on White Black Ships Black White & Grey. Photographic Studies (Photosheets) Bohemian Powderpuff Brain Tumour Helmet with Microwaves Brendan Lee Buildings Are Lonely People California Re-visited Call Of The Wild Can you hear me? Canal Caroline Garcia: Primitive Nostalgia CCP 2012 Fundraiser CCP 2014 Fundraiser CCP Declares: On the Nature of Things Ccp Declares: On the Social Contract CCP Documentary Photography Award 2009 CCP Documentary Photography Award 2011 2015 CCP Fundraiser 2017 CCP Fundraiser: The Witching Hour Ccp Limited Edition Print 2008 CCP Limited Edition Print 2009 CCP Limited Edition Print 2010 CCP Limited Edition Print 2011 CCP Limited Edition Print 2013 CCP PHOTO FAIR CCP Photoblog CCP's 30th Anniversary Fundraiser Ccp Salon 2013 CCP Salon 2014 CCP Salon 2015 CCP Salon 2016 2017 CCP Salon Cecilia Sordi Campos: Tem Bigato Nessa Goiaba Cheap Flights Chronicles of the New Human Organism Citizens of the Park Clay Cameras Clearing The Mists Climbing The Walls and Other Actions Clunky Bits Colony Come to Me Compass Composite Realities Amid Time and Space: Recent Art and Photography Composite Realities Amid Time and Space: Recent Art and Photography Contagious Continuous Moment: Sordid's Hotel Continuum Counter-Space Couples Craters of the Moon Creator Cropped Cross Currents Crossing Paths with Vivian Maier Cry CU Cub Separated From Spooked Polar Bear Cultures - Landscapes Cusp and Cornice Custom Made Cuttings In The Forest Of Images Cyberspace Dance to the Radio Dark Matters: Selected photographs by Janina Green, Curated by Naomi Cass & Pippa Milne Darkness Loiters Databank of the Everyday and The Intruder Daydream de_ccp Defenceless 23° and Rising Digital Mana dis/appearance: waiting room #4 Disruption Domino Theory Don't go out walkin' Double Negatives Drama Dream of the Soft, Hard Look - The Masters Duelle Dumb Duration of Sense E-180 Ectomorphia I Edgewood: Aerial Photography Of New Suburbia Elsewhere Elysian Fields Emergence Empty Encyclopaedia Entre Nous: Claude Cahun and Clare Rae Entropia / Downtown Erysichthon's Ball Event Horizon Event Horizon Expedition Experimenta House of Tomorrow: Homepage 80/137 Faces Familiar Surroundings? Lost & Found Family Resemblance Fantastic Prayers Farm Fascination Fashioning Discontinuities Faux Thrills Fell Fictions Figuratively Speaking Filmtext First Jobs Flashlight District Flight 934-B Fluid Architecture Folded Colour Folding the Periphery For Future Reference Foto-ography French Pup Fresh From Paris From Here to Eternity From Our Members From Our Salon Prizewinners From Our Volunteers Fruits of Our Labour FX Geodetic Monuments Gloss Gone Gordon Bennett: Moving Images, Part One Gott's Treasure Graduate Exhibition Rmit Media Arts Graduate Show Great Expectations Guest House Habitat Habitation HACK WORK Hair in the Gate, a biograph Half Moon Hall Of Mirrors: Anne Zahalka Portraits 1987-2007 Hall Of Mirrors: Anne Zahalka Portraits 1987—2007 Hand in Glove Hi-Vis Dreams Highlights From The Permanent Collection Him Self How Much Longer Will You Live Like This I can see for miles I Can't Talk Now I Know You Despise Me For Not Being Stronger I Want To Swing On An Invisible Swing Ice Blink: Antarctic Photographs Ice Blink: Antarctic Photographs Iconoclastic Plastic if...so...then 2018 ILFORD CCP Salon 2020 ILFORD CCP Salon 2019 ILFORD CCP Salon Illuminated Books Image Reader In a Cave Home In a Lonely Place In camera and in public In camera and in public In Cold Light In debt: saving seeds In Light In Response To Never Being Answered Again Inbtween Index Indirect Image Indri Pickle Lab, Mango Pickle Industrial Nocturne No. 2 In/Ex Infinite Image Information Narrative Inland Inland Installation Stills Installed In The Midst Of The Visible International Waters Internationally Unknown Artists Intersection Japan Portraits Je Toto Lokální, Nebo Národní Zvyk? Join The Dots Just a Girl Keep Clear Keep passing the open window Kodak Autumn Salon 2011 Kodak Salon Kodak Salon 2005 Kodak Salon 2006 Kodak Salon 2008 Kodak Salon 2010 Kodak Salon 2011 Kodak Salon 2012 Krater Crater Kulin Project La Toilette D'une Femme Labland CCP/City Of Yarra Billboard 2011 Super 8 films Lassie Leica/CCP Documentary Photography Award 2005 Leica/ Ccp Documentary Photography Exhibition + Award Leica/CCP Documentary Award 2005 Leica/CCP Documentary Photography Award Leica/CCP Documentary Photography Exhibition + Award L'homme dans les draps Like a clap of thunder Liminal line Lit from the Top: Sculpture through Photography Lives and Works in Melbourne Location Los Nomadas Del Mar Lose Lost World Love at First Sight Love Lucy LumpCD Lyric Theatre Mac Making Faces Making Models: The Collaborative Art of Wendy Ewald Man Walking/Man Running Material From Another Medium Maturing Maxwell Summer Salon 2000 McKeich Digital Art folio Melbourne Art Fair 2008 Melbourne Art Fair 2010 Memo Memory's Surface Men Undressed Meniscus Merge Nodes Metabody: From Cyborg to Symborg Metropolis Minimal Interventions Miriam Charlie: My Country No Home Mirror Miss Carmichael's View Mizuno D301 Mnemosyne, or Do Humans Dream in Negative Strips? Models Modus Operandi Mona Lisa Monster Move Tracey Moffatt: Art Calls Multiple Xposure Mutatis Mutandis My Australia Nail + Hammer National Housing Search <$250,000 Natural History New Branches on an Old Tree New Fragrance New Images, Works In Photocopy New Reading Order New Work: Expanded and Compressed Nightwalks 2004 Nikon Summer Salon Nikon Summer Salon 2001 2002 Nikon Summer Salon 2002 Nikon Summer Salon 2003 Nikon Summer Salon 2003 Nikon Summer Salon Nikon-Walkley Press Photographer Of The Year 2002—2006 That takes balls No Place Like Babylon No True Self No Vertical Song Nosegay Not Moving Not Only Skin and Fabric Not Really Aboriginal Objects in Life Objects Of Life Oh No Momento On The Line On The Road One Of Us Cannot Be Wrong One Thing Leads To Another One Word Movie Oneirophrenia Open-ENTRY Award and Competition Ophelia Bakowski: Embrace; A River Runs Through Orbital Orchestra of Rust Overhead Project (Galla Placidia) Owner-Builder of Modern California House Pale Worlds Pan No.2 (one step forwards, one frame backwards) Parallel Worlds Parasite Parkies of Old Fitzroy Parklife Parting Embrace Pass Perennial Perfect Strangers Perishable Goods Photocopier Photographs Photographs (Sun Series) Photography & Videos Photography Portfolio I & II Picture This as an Idea Play with Me Polar Convergence Portfolio Portraits from my Village Post War Retro Postcard from Tunis Poste Restante Precious Metals Presence between Alborz and Hekla Presented Pret-a-Porter - Infrastructure Spectaculaire Pretty Aprons & Getting Dollied Up Primitive Nostalgia Projection Window Proof Of Concept Props and Gesture Prowl Pruitt Igoe Falls Pursuit of Happiness Quality Photographs Queer Economies Quiver Radiolucent Rapt Rapt! 20 Contemporary Artists From Japan Rapt! 20 Contemporary Artists From Japan Rapture (silent anthem) Raw Backyard R+D Really Really Recent Animation Reflections Rehearsing The Landscape Relatively Speaking Remember Me I'd Never Seen Or Heard Anything So Clearly Made For Me Reservoir Reverse Wild Bunch Rhapsodia Rmit Media Arts Graduate Exhibition Rooms RSVP Ruang Mes56: Contemporary Photography from Indonesia Ruang Mes56: Contemporary Photography from Indonesia Rumba Sola Runes: Photography and Decipherment Santiago Breathing Scenic Themes Seeing System Selected Photography Selected Video Works 1999–2004 Selected Works Selected Works Selected Works Selections From Penumbra: Contemporary Art From Taiwan self-remembering-optimal viewing distance Sequence Set To Zero Sexinstereo shadow sites Shiver Shock In the Ear Side-effected Industries Sign Of The Times: The Fashion Photography Of Rennie Ellis Silent Ruptures Crowd Theory Sixth Leica/CCP Documentary Photography Award Sixth Leica/CCP Documentary Photography Award Skin Club Sky Views Sleeping Under a Motorcycle Not Sleepy Sleepwalker Softstyler Solid Estate Some Kinds of Duration Some Things Uncanny Somewhere Between Art & Design Sony Alpha Awards Exhibition Space that we are Span Specimen Spinning Stalker Standstill Still Counting (Don't Forget Me Again) Still-Life with a Whore Still Lives Storing Up Stranger Knocking Strangers In The(ir) City: Contemporary Vietnamese Photography Studies in Rising and Falling - Kiribati 2011 Studio Practice Pt 1 Sub Zero Summer Salon Suburban Fetish Suburban Stormtroopers Suck Roar Suddenly Slowly Summer Salon 1999 Surveying The Void Suspense Syntax 7.0 Take Care! 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Waiting for Duelle

Straddling alongside both walls, as if commuters awaiting the imminent arrival of a train upon a platform, the crowd lies in wait. Click. They anxiously and repetitively consult their wrists as if distrusting of the movement of their timepieces or the electronic digits representing the passing of time. Click. They randomly scan one another, as if waiting for one of the crowd to reveal themselves as something they are not. Click. They fidget and shuffle from side to side as if uncomfortable within their own skin, yet cautiously enough so as not to encroach upon the abyss they have created across the gallery. Click.

After a time, one arrives, and slowly the crowd become transfixed as it approaches. Click. Shifting their weary gazes from one another toward a common cause, united in their collective restlessmess. Click

From the other direction, another arrives, perhaps a different model, not entirely dissimilar, yet dissimilar enough to be distinct. Click. Perhaps it is the way it sounds, the way it lurches, the way these lurches develop their own fluidity and in turn become movement. Click.

Duelle represents an enigma of encounters involving the interchangeability of muse and mentor, with individual works repositioned within a collaborative framework that diminishes the specificities within which each individual work was made. By and large, performative acts such as dance performances exist without visual documentation. After the performance concludes, it exists in the memory - both individual and collective - of those involved and those in the audience. They are events recalled rather than recorded. They are contemporary insofar as they engage with a specific time. As such, they are representative of the here and now and it is with such contemporainity that such performances are recalled. How then does a specific piece age, or rather, what is the slippage between the there and then and the here and now? If the materials remain the same, in its simplest form at least, a body, then how does a piece age in contrast to the form enacting the piece?

Duelle alludes to these considerations of specificity and temporality framework layering another mechanism upon post facto reflection. Through actively engaging photographers within the framing of the performance Duelle positions itself within a specific moment and physical context. Notably, the work is not presented within a traditional perforamative venue but rather a contemporary art space, and more pointedly, one with an emphasis on photographic practice. In this regard, the gallery is not used to present photographic outcomes, but rather as a site to facilitate photographic process.

Through the recording and documenting of Duelle it is lodged within a specific time, if not readily definable presently, then certainly one that will be distinguishable in future. The time evasiveness of the performance will be belied by the hairstyles and fashions of the audience, tell tale indicators of any time. And this is perhaps the crux of the project, to wrestle the performance from memory and mismemory and to lodge it within a definitive setting - creating a framework that surrounds the performance rather than relying on the memory of what has been performed. This newly documented rendition in turn dissolves the temporal and locational specificities of each previous enactment of the individual performances. This is not an act of replacement, for Duelle and its constituent components are now altogether different undertakings, despite involving exactly the same movements.

Click. No carriage arrives yet everybody is transported to somewhere else.

For more information, visit http://www.flickr.com/photos/48576081@N04/sets/

For a recording of Duelle, click here

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Matthew Gingold, courtesy the artist

Centre for Contemporary Photography Centre for Contemporary Photography Centre for Contemporary Photography Centre for Contemporary Photography Centre for Contemporary Photography

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