Saturday 23 and Sunday 24 April 2016
Book online here >
or call CCP on 03 9417 1549 to make your booking.
From Lightroom and Photoshop to printing and publishing, from accurate white balance to editing images and matching prints to screen, the accurate management of tone and colour is at the heart of every digital imaging process. This intermediate to advanced studio workshop presents a logical and comprehensive approach to accurately controlling the capturing, processing, editing and reproduction of images throughout our workflows and across our creative practice. The aim is to acquire the critical knowledge and essential skills demanded by the highest image quality and colour fidelity. That is, to enjoy and benefit from a workflow that really 'works'.
The workshop is based around these series of practical tasks and demonstrations to demystify the management of tone and colour while integrating its critical functions into contemporary digital imaging practice. Real-world exercises involving the calibration and profiling of monitors, cameras and printers as well as verified soft and hard proofing are integrated into a professional fully colour managed workflow. Detailed course notes and calibration guides are provided.
Understanding and Interpreting Tone and Colour
- The principles of colour reproduction in digital workflows
- Illusions, reality and photography
- The relationship between images and colour gamuts
- Choosing the right RGB, CMYK and Greyscale working spaces
- Assigning and converting profiles
Setting up a Professional Digital Workflow
- Evaluating appropriate software and hardware
- Implementing and automating digital workflows
- Establishing a working and viewing environment
- Collaborating with designers, labs and prepress services
- Storage and archiving solutions
Profiling Cameras, Monitors and Printers
- Seeing 'correct' colour
- Creating custom camera, scanner, monitor, and printer profiles
- Sourcing and evaluating commercially available profiles
- The spectral analysis of devices, lighting and materials
- Advanced soft proofing solutions
Working with Materials and Devices
- Avoiding RGB editing errors
- Independent tone and colour editing controls
- Matching a screen image to its printed or published image
- Publishing and separating into CMYK colour spaces
- Converting for Web output
About Dr Les Walkling
Les Walkling is a renowned artist, educator and art consultant. Les has been teaching specialised workshops since 1977, and was the Program Director of Media Arts (1993 – 2005) and a Senior Research Fellow in the School of Art (2006-2010) at RMIT University. In 2012, he was named a Fellow of the Australian Institute of Professional Photography, and also serves on museum boards/committees of management and cultural and technical advisory groups. As an artist, his work is exhibited and represented in many public collections including the Metropolitan Museum of Art (USA), the National Gallery of Victoria, the Art Gallery of NSW, and the National Gallery of Australia. In recent years his practice has expanded to include major collaborative projects with other artists including Peter Kennedy, Polixeni Papapetrou, and Bill Henson.